Sound, Light and Live Event Engineering

One of the leading courses of its kind in the country, this degree prepares you for a technical career in the exciting world of live events. With the technology involved becoming ever more sophisticated, there is an urgent demand for more skilled engineers and technicians in the industry. At Derby we have been teaching Entertainment Engineering for 25 years and our graduates are working across the industry and around the world at the highest levels. You will gain real-world experience of mounting live events on this highly practical course, guided by a team of experienced professionals.

• Work in a challenging, stimulating and creative learning environment – harnessing world-class equipment in our dedicated facilities
• Learn from inspirational tutors who have vast experience in the industry and are experts in their fields
• Plan and deliver actual live events as part of your studies from festivals to fashion shows
• Take the chance to go on an optional industrial year to strengthen your practical skills further still
• Enjoy collaborative projects, working closely with other students specialising in subjects such as music technology, music, electronics and theatre
• Follow in the footsteps of our high-achieving graduates who have gone on to work internationally on everything from James Bond film premières to star-studded concerts

If you have the potential and ambition to study with us, but feel you’re not quite ready to join the BSc (Hons) Sound, Light and Live Event Engineering right now, why not consider taking this course with a foundation year?

The entertainment industry is one of the largest employers in the world. Whether through the live event or through recorded medium, it is enabled and driven forward by its underlying technology. Our innovative BSc (Hons) Sound, Light and Live Event Engineering degree is engineering based and draws on the technical basis of electronics, computer and software systems, acoustic, sound technology and professional practices. This really is a unique and exciting degree.

Industry links

Our BSc (Hons) Sound, Light and Live Event Engineering is an engineering-centred but practical-based course for anyone keen to embark on a career in the live events industry. It is also ideal for professionals who have experience in the sector but want a deeper understanding of the theory, along with a recognised qualification.

The degree is built on close links with industry through ongoing engagement with graduates who have taken up professional roles, as well as our many industry contacts . You’ll benefit from regular guest speakers, from Sound Engineers to Tour Managers, and will have the opportunity to go on field trips to get real-life experience. We work closely with companies such as Solotech, d&b audiotechnik, Disney, Chauvet, Meyer Sound, Alton Towers, and many more.

You’ll plan and deliver actual live events throughout your degree. Previous events have included Green Man in Wales, YNot festival, WFR Central Electronic Music Festival and Back 2 festival. You will also get the chance to work on other types of events such as fashion shows, charity events, awards ceremonies, album launches and corporate events.

Our close ties with Derby Theatre gives you the opportunity to learn and work in a professional theatre building, if you wish.

You’ll graduate with multi-disciplinary skills, including technology, design, project management, manufacturing, environmental and health and safety knowledge, which will open the door to a wide range of job opportunities, in and out of the industry.

This degree covers a broad range of subjects – from lighting technology, audio engineering, video systems, live streaming, power distribution and rigging to electronics, computer networks, acoustics, computer-aided design and simulation.

You will learn both the theory and practice relating to the underlying technologies and will develop hands-on skills by planning and delivering real live events.

The ideal learning environment

As this is an engineering course, you will study 'how it works' – learning about the underlying technology and electronics in our electronics and computing laboratories.

You will also learn ‘how to work it’ - developing professional skills in lighting design, sound engineering, video and broadcast production, and event management, with practice in our dedicated production spaces and in venues around the city and beyond.

You'll get to grips with the latest technology, thanks to our links with the leading manufacturers and production companies. A small selection of our industry-standard equipment includes:

• Sound:  Allen & Heath dLive systems, DiGiCo SD series, Yamaha digital desks,  d&b audiotechnik Y series system with B-subs and a full Max wedge monitor system.
• Lighting: Lighting consoles from Avolites, Grand MA, ETC, and Chamsys and dozens of moving lights and LED fixtures. We also have an entertainment display Laser system.
• Video: 270 LED video wall panels, projectors, and video mixers from Roland and Blackmagic Design.
• Rigging: Flown and ground support truss systems from Total Fabrications, Litec, and Prolyte. Motors from Columbus McKinnon.
• Software: EASE (Enhanced Acoustic Simulator for Engineers), WYSIWYG and Capture lighting simulation systems, Resolume video software, AutoCAD design software, as well as standard free industry software such as Avolites Titan, Chamsys and d&b Array Calc.

Our extensive equipment is housed in the following facilities:

• Hemi-Anechoic Chamber: Our hemi-anechoic chamber is a specialist acoustic environment. The room has ‘dead sound’, there are no echoes or acoustic reflections which makes the space excellent for acoustic experimentation. The chamber has dedicated test equipment including a dummy torso used for testing. Unlike many institutions that reserve such facilities for postgraduate students, our students will work in the 'chamber' from Foundation year onwards.
• Auditorium 3: The main practical teaching space for students on the degree. The room includes 12 1-Tonne rigging points in the 10-metre-high roof (accessed by our Genie scissor lift) and 3-phase power. In the last few years, over £200,000 has been spent on new sound, lighting, and video equipment. You’ll have numerous hands-on practicals here where you’ll design the rig and make everything work.
• Entertainment Technology Lab: An experimental lab with some permanently installed tests. You’ll also be able to programme and prepare shows in here using a small loudspeakers system, digital mixing console, small lighting rig and lighting desk.
• Multi-Channel Sound Lab: The lab is a Dante audio equipped room containing 32 loudspeakers used for investigating immersive audio applications. You’ll test surround sound decoders and create immersive auditory displays. The equipment is run through software created at the University.
• Sound Technology Lab: This lab is used for small scale acoustic testing and includes a small anechoic chamber and a vintage hearing test booth. There’s also a selection of loudspeakers in different states of deconstruction. The room includes a digital sound desk, and technical sessions in here are where you’ll judge the performance characteristics of equipment.

You’ll also have access to our Makerspace – a workshop where you can work on any project and turn your ideas into a prototype. Equipment includes a laser cutter, 3D printers, soldering irons and CNC machines. It’s a fantastic place to collaborate with other students across the University. There are also wood and metal working workshops and a Digital Media (Print) hub onsite, as well as the specialist electronics and computing labs.

Your teaching team

The teaching team has a remarkable range of experience across the sector with some still practising in the industry around their teaching. Some are also research active with an international profile. They include:

• Kit Lane: Kit joined the University in 2006 and has been working in live events and professional theatre for over 30 years. He has previously worked as a Production Manager at Derby Playhouse (now Derby Theatre), as a video and projection designer for over 20 years, and has worked on hundreds of shows across the UK as well as the USA, Australia and Ireland
• Dr Adam Hill: Adam is an Associate Professor of Electroacoustics and works seasonally as a live sound engineer at Gand Concert Sound. His research interests span across the whole of the audio engineering area, and he uses his knowledge and experience in the industry to inform his teaching.
• Jon Burton: Jon joined the University in 2019 having worked as a Sound Engineer for 35 years, primarily in concert touring. Having worked with the likes of The Prodigy, Bring Me The Horizon and Biffy Clyro, Jon is now using his experience to teach a new generation of engineers on the degree
• Dr Bruce Wiggins: Bruce completed his PhD at the University of Derby and has a research interest in audio signal processing and immersive audio. His software and algorithms have been used extensively in the industry, including for VLC, Codemasters and at Glastonbury festival. He also designed the 32 speaker Ambisonic Decoder now found in the Royal Opera House
• Mark Dring: Mark joined the University as a lecturer in 2013 having previously completed studies in Audio System Design and Acoustic Engineering. His research is focused on the reproduction and auralisation of sound in acoustically small spaces. He enjoys the diversity of experiences that teaching brings and seeks to enthuse students with their studies

Please note that our modules are subject to change - we review the content of our courses regularly, making changes where necessary to improve your experience and graduate prospects.

Real-world learning

You will have the opportunity to take an optional work placement between stages two and three, greatly improving your career prospects when you graduate.

In addition, you will benefit from guest lectures, product demonstrations and venue visits. Recent guest speakers have included:

• Industry veteran Paul Kell came in to talk about his work as a lighting designer and crew chief for artists including Paul McCartney, Bob Dylan, Adele, Iron Maiden, George Michael, The Foo Fighters, Nick Cave, and Nick Mason. He delivers annual masterclasses on lighting design and one-to-one career development sessions
• Liz Berry spoke to our students about her career journey, starting as one of the first ever ‘moving light’ technicians at Vari-Lite before becoming an operator, and then a designer for some of the biggest acts in the world. She also came up with the signature lighting look for the TV programme Who Wants to Be a Millionaire? Liz is now the Managing Director of Hologramica where she designs and produces “hologram” tours for legacy artists such as Whitney Houston
• Alan Hungerford, an expert on touring logistics, delivered a class on post-Brexit touring. He leaned on his past experience in tour and production management and security with clients including Adele, Robbie Williams and the Swedish House Mafia
• Grammy award-winning sound engineer John Pellowe delivered a lecture on his career in recorded and live music and the application of active acoustic systems in large music venues. He is also the Project Director for Constellation Systems at Meyer Sound, a leading loudspeaker company
• Chris Hill, Co-Founder of Wigwam which is one of the world-leading event hire companies, delivered a talk about what it takes to get a job and progress in the industry. He has worked with some of the most well known acts in the world, from Coldplay to the Pope, and in the largest venues from Wembley Stadium to Buckingham Palace

The University has a partnership with leading loudspeaker company Meyer Sound to deliver online masterclasses and an in-person training course for our Entertainment Engineering students. As a student at Derby you'll also have access to full-length seminars on topics such as acoustics, loudspeakers, audio networking, spatial sound and audio fundamentals.

Many of our students also take on casual work with production and hire companies in the area, adding a new dimension to their real-world learning experiences.

How you are assessed

You will be assessed through laboratory and practical exercises, written reports and exams. You will also work on group projects, including venue and event evaluations, and will be assessed on the concerts and productions you manage and create. 

2025 entry

These are the typical qualification requirements for September 2025 entry.

Contextual offers may apply to students who meet certain criteria.

English language requirements

IELTS: 6.0 (with at least 5.5 in each skills area)

2025/26

Further information about our fees and support you may be entitled to.

Additional costs and optional extras

We have an excellent employment track record and our graduates work in all areas of the entertainment industry. You could work as an engineer at a hire or production company - specifying, designing and operating sound, lighting, staging and video systems - or as a theatre technical manager. Many of our graduates work as freelance engineers or set up their own businesses.

Some graduates also progress to roles in design and manufacturing, media, broadcasting, acoustics, technical sales and support, education and event technology. There are opportunities to advance to postgraduate studies too.

Contact us

If you need any more information from us, eg on courses, accommodation, applying, car parking, fees or funding, please contact us and we will do everything we can to help you.

Additional information about your studies

Teaching hours

Like most universities, we operate extended teaching hours at the University of Derby, so contact time with your lecturers and tutors could be anytime between 9am and 9pm. Your timetable will usually be available on the website 24 hours after enrolment on to your course.

Course updates

The information provided on this page is correct at the time of publication but course content, costs and other individual course details do change from time to time and are updated as often as possible, so please do check these pages again when making your final decision to apply for a course. Any updated course details will also be confirmed to you at application, enrolment and in your offer letter.

If you are thinking about transferring onto this course (into the second year for example), you should contact the programme leader for the relevant course information as modules may vary from those shown on this page.

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